000			01458 a2200253 4500
001			135157339X
005			20250317111557.0
008			250312042017GB eng
020			_a9781351573399
037			_bTaylor & Francis _cGBP 42.99 _fBB
040			_a01
041			_aeng
072	7		_aDSBB _2thema
072	7		_aDSBB _2bic
072	7		_aFOR000000 _2bisac
072	7		_aLAN000000 _2bisac
072	7		_a858.109 _2bisac
100	1		_aRhiannon Daniels
245	1	0	_aBoccaccio and the Book _bProduction and Reading in Italy 1340-1520
250			_a1
260			_aOxford _bRoutledge _c20170705
300			_a242 p
520			_bAs a new digital era increasingly impacts on the 'age of print', we are ever more conscious of the way in which information is packaged and received. The influence of the material form on the reading process was no less important during the gradual shift from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural, and economic profile of Boccaccio's readership and the scribes and printers who laboured to reproduce three of his works: the Teseida , Decameron , and De mulieribus claris . Rhiannon Daniels is a British Academy Postdoctoral Fellow in the Department of Italian at the University of Leeds.
999			_c3779 _d3779