| 000 | 01425 a2200277 4500 | ||
|---|---|---|---|
| 001 | 1317169956 | ||
| 005 | 20250317111559.0 | ||
| 008 | 250312042016GB eng | ||
| 020 | _a9781317169956 | ||
| 037 |
_bTaylor & Francis _cGBP 54.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aQDTQ _2thema |
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| 072 | 7 |
_aAB _2thema |
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| 072 | 7 |
_aHPQ _2bic |
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| 072 | 7 |
_aAB _2bic |
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| 072 | 7 |
_aLIT019000 _2bisac |
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| 072 | 7 |
_aLIT000000 _2bisac |
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| 072 | 7 |
_a860.9003 _2bisac |
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| 100 | 1 | _aJohn Beusterien | |
| 245 | 1 | 0 |
_aCanines in Cervantes and Velázquez _bAn Animal Studies Reading of Early Modern Spain |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20160408 |
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| 300 | _a162 p | ||
| 520 | _bThe study of the creation of canine breeds in early modern Europe, especially Spain, illustrates the different constructs against which notions of human identity were forged. This book is the first comprehensive history of early modern Spanish dogs and it evaluates how two of Spain’s most celebrated and canonical cultural figures of this period, the artist Diego Velázquez and the author Miguel de Cervantes, radically question humankind’s sixteenth-century anthropocentric self-fashioning. In general, this study illuminates how Animal Studies can offer new perspectives to understanding Hispanism, giving readers a fresh approach to the historical, literary and artistic complexity of early modern Spain. | ||
| 999 |
_c3893 _d3893 |
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