| 000 | 00896 a2200241 4500 | ||
|---|---|---|---|
| 001 | 1138664065 | ||
| 005 | 20250317100350.0 | ||
| 008 | 250312042016GB eng | ||
| 020 | _a9781138664067 | ||
| 037 |
_bTaylor & Francis _cGBP 49.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aD _2thema |
|
| 072 | 7 |
_aD _2bic |
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| 072 | 7 |
_aLIT000000 _2bisac |
|
| 072 | 7 |
_a792.025 _2bisac |
|
| 100 | 1 | _aLisa Zunshine | |
| 245 | 1 | 0 | _aActing Theory and the English Stage, 1700-1830 Volume 2 |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20160121 |
||
| 300 | _a324 p | ||
| 520 | _bDuring the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination. | ||
| 999 |
_c39 _d39 |
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