| 000 | 02335 a2200505 4500 | ||
|---|---|---|---|
| 001 | 1317228677 | ||
| 005 | 20250317111601.0 | ||
| 008 | 250312042016GB 10 eng | ||
| 020 | _a9781317228677 | ||
| 037 |
_bTaylor & Francis _cGBP 44.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aQDTN _2thema |
|
| 072 | 7 |
_aQDTM _2thema |
|
| 072 | 7 |
_aJMQ _2thema |
|
| 072 | 7 |
_aQDHR _2thema |
|
| 072 | 7 |
_aPDA _2thema |
|
| 072 | 7 |
_aAGA _2thema |
|
| 072 | 7 |
_aAV _2thema |
|
| 072 | 7 |
_aAB _2thema |
|
| 072 | 7 |
_aJMR _2thema |
|
| 072 | 7 |
_aDSB _2thema |
|
| 072 | 7 |
_aHPN _2bic |
|
| 072 | 7 |
_aHPM _2bic |
|
| 072 | 7 |
_aJMQ _2bic |
|
| 072 | 7 |
_aHPCF _2bic |
|
| 072 | 7 |
_aPDA _2bic |
|
| 072 | 7 |
_aAC _2bic |
|
| 072 | 7 |
_aAV _2bic |
|
| 072 | 7 |
_aAB _2bic |
|
| 072 | 7 |
_aJMR _2bic |
|
| 072 | 7 |
_aDSB _2bic |
|
| 072 | 7 |
_aPHI001000 _2bisac |
|
| 072 | 7 |
_aSCI090000 _2bisac |
|
| 072 | 7 |
_aPHI015000 _2bisac |
|
| 072 | 7 |
_aPHI000000 _2bisac |
|
| 072 | 7 |
_a111.85 _2bisac |
|
| 100 | 1 | _aElena Fell | |
| 245 | 1 | 0 |
_aCognitive Basis of Aesthetics _bCassirer, Crowther, and the Future |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20160414 |
||
| 300 | _a180 p | ||
| 520 | _bThis book seeks to fill a void in contemporary aesthetics scholarship by considering the cognitive features that make the aesthetic and artistic worthy of philosophical study. Aesthetic cognition has been largely abandoned by analytical philosophy, which instead tends to focus its attention on the ‘non-exhibited’ properties of artwork or issues concerning semantic and syntactic structure. The Cognitive Basis of Aesthetics innovatively seeks to correct the marginalization of aesthetics in analytical philosophy by reinterpreting aesthetic cognition through an integration of Ernst Cassirer’s philosophy of symbolic forms with Paul Crowther’s theory of imagination and philosophy of art. This integration has three important outcomes: 1) it explains why the aesthetic and artistic constitute a unique form of knowledge; 2) it shows the role this plays in the formation of aesthetics as a discipline; and 3) it describes why aesthetic cognition is so deeply engaging. This book’s unique theoretical approach engages with important works of visual, conceptual, and digital art, as well as literature, music, and theatre. | ||
| 700 | 1 |
_aIoanna Kopsiafti _4A01 |
|
| 999 |
_c4113 _d4113 |
||