000			01809 a2200241 4500
001			1136045783
005			20250317111602.0
008			250312041998GB eng
020			_a9781136045783
037			_bTaylor & Francis _cGBP 51.99 _fBB
040			_a01
041			_aeng
072	7		_aATF _2thema
072	7		_aAPF _2bic
072	7		_aPER004000 _2bisac
072	7		_a778.53 _2bisac
100	1		_aPauline B Rogers
245	1	0	_aContemporary Cinematographers on Their Art
250			_a1
260			_aOxford _bRoutledge _c19980119
300			_a240 p
520			_bThe twelve interviews in this book cover all aspects of cinematography from pre-production planning to post-production, special effects, aerial photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in movies and television shows were lit and captured. Technically and philosophically oriented, Contemporary Cinematographers on Their Art explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political properties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment. Covering a variety of film and television genres--from soaps to half-hour sitcoms, to cable and network productions and low- and big-budget features--each interview explores the tools cinematographers use to capture their shots, from traditional equipment to innovative camera and lighting "toys," as well as the integration of mechanical and computer graphic effects.
999			_c4231 _d4231