| 000 | 02132 a2200421 4500 | ||
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| 001 | 1317501292 | ||
| 005 | 20250317111603.0 | ||
| 008 | 250312042016GB 26 eng | ||
| 020 | _a9781317501299 | ||
| 037 |
_bTaylor & Francis _cGBP 41.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
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| 100 | 1 | _aPaul Clements | |
| 245 | 1 | 0 |
_aCreative Underground _bArt, Politics and Everyday Life |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20160913 |
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| 300 | _a240 p | ||
| 520 | _bPaul Clements champions the creative underground and expressions of difference through visionary avant-garde and resistant ideas. This is represented by an admixture of utopian literature, manifestos and lifestyles which challenge normality and attempt to reinvent society, as practiced for example, by radicals in bohemian enclaves or youth subcultures. He showcases a range of 'art' and participatory cultural practices that are examined sociopolitically and historically, employing key theoretical ideas which highlight their contribution to aesthetic thinking, political ideology, and public discourse. A reevaluation of the arts and progressive modernism can reinvigorate culture through active leisure and post-work possibilities beyond materialism and its constraints, thereby presenting alternatives to established understandings and everyday cultural processes. The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope. | ||
| 999 |
_c4301 _d4301 |
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