| 000 | 01708 a2200445 4500 | ||
|---|---|---|---|
| 001 | 1351674714 | ||
| 005 | 20250317111603.0 | ||
| 008 | 250312042017GB eng | ||
| 020 | _a9781351674713 | ||
| 037 |
_bTaylor & Francis _cGBP 41.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aATD _2thema |
|
| 072 | 7 |
_aJBSF _2thema |
|
| 072 | 7 |
_aJBCC3 _2thema |
|
| 072 | 7 |
_aAFKP _2thema |
|
| 072 | 7 |
_aJHM _2thema |
|
| 072 | 7 |
_aJBSF11 _2thema |
|
| 072 | 7 |
_aNH _2thema |
|
| 072 | 7 |
_aJHB _2thema |
|
| 072 | 7 |
_aAN _2bic |
|
| 072 | 7 |
_aJFSJ _2bic |
|
| 072 | 7 |
_aJFCK _2bic |
|
| 072 | 7 |
_aAFKP _2bic |
|
| 072 | 7 |
_aJHM _2bic |
|
| 072 | 7 |
_aJFFK _2bic |
|
| 072 | 7 |
_aH _2bic |
|
| 072 | 7 |
_aJHB _2bic |
|
| 072 | 7 |
_aPER011000 _2bisac |
|
| 072 | 7 |
_aART019000 _2bisac |
|
| 072 | 7 |
_aPER011020 _2bisac |
|
| 072 | 7 |
_aART060000 _2bisac |
|
| 072 | 7 |
_a792.50951156 _2bisac |
|
| 100 | 1 | _aHuai Bao | |
| 245 | 1 | 0 |
_aCross-Gender China _bAcross Yin-Yang, Across Cultures, and Beyond Jingju |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20170814 |
||
| 300 | _a182 p | ||
| 520 | _bCross-Gender China , the outcome of more than twenty years of theatrical and sociological research, deconstructs the cultural implications of cross-gender performance in today's China. The recent revival in male-to-female cross-gender nandan performance in Chinese theatre raises a multitude of questions: it may suggest new gender dynamics, or new readings of old aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being performed and the gender doing the performing, this volume gives a broad cultural account of the contexts in which this unique performance style has found new life. | ||
| 999 |
_c4327 _d4327 |
||