| 000 | 01292 a2200277 4500 | ||
|---|---|---|---|
| 001 | 1351726064 | ||
| 005 | 20250317111605.0 | ||
| 008 | 250312042017GB eng | ||
| 020 | _a9781351726061 | ||
| 037 |
_bTaylor & Francis _cGBP 33.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aQDTN _2thema |
|
| 072 | 7 |
_aAB _2thema |
|
| 072 | 7 |
_aHPN _2bic |
|
| 072 | 7 |
_aAB _2bic |
|
| 072 | 7 |
_aPHI000000 _2bisac |
|
| 072 | 7 |
_a111.85 _2bisac |
|
| 100 | 1 | _aPenny Florence | |
| 245 | 1 | 0 |
_aDifferential Aesthetics _bArt Practices, Philosophy and Feminist Understandings |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20171130 |
||
| 300 | _a384 p | ||
| 520 | _bThis title was first published in 2000. This is an interdisciplinary and international collection on aesthetics with contributions from artists and philosophers and the range of thinkers about art in between. It aims to provide a forum for the kinds of question that used to be addressed within traditional aesthetics, but which have until recently been sidelined in critical writing about art and indeed in many of the most important art practices. The collection as a whole is situated in relation to feminists' approaches, but the editors hope that it will not be read as limited to them. | ||
| 700 | 1 |
_aNicola Foster _4A01 |
|
| 999 |
_c4445 _d4445 |
||