| 000 | 00829 a2200253 4500 | ||
|---|---|---|---|
| 001 | 1351734458 | ||
| 005 | 20250317111610.0 | ||
| 008 | 250312042018GB eng | ||
| 020 | _a9781351734455 | ||
| 037 |
_bTaylor & Francis _cGBP 33.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJHB _2thema |
|
| 072 | 7 |
_aJHB _2bic |
|
| 072 | 7 |
_aSOC000000 _2bisac |
|
| 072 | 7 |
_aSOC026000 _2bisac |
|
| 072 | 7 |
_a306.47094109033 _2bisac |
|
| 100 | 1 | _aSam Smiles | |
| 245 | 1 | 0 | _aEye Witness |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20180508 |
||
| 300 | _a228 p | ||
| 520 | _bThis title was first published in 2000: This study examines the ways in which very different visual fields might be said to have shared certain working assumptions concerning the truth of representation. It concentrates particularly on prints. | ||
| 999 |
_c4822 _d4822 |
||