000			02107 a2200289 4500
001			1317131673
005			20250317111611.0
008			250312042016GB eng
020			_a9781317131670
037			_bTaylor & Francis _cGBP 42.99 _fBB
040			_a01
041			_aeng
072	7		_aAVLP _2thema
072	7		_a6PB _2bisac
072	7		_a6RF _2bisac
072	7		_aAVGP _2bic
072	7		_aMUS017000 _2bisac
072	7		_aMUS015000 _2bisac
072	7		_aMUS000000 _2bisac
072	7		_a782.421640944 _2bisac
100	1		_aRachel Haworth
245	1	0	_aFrom the chanson française to the canzone d'autore in the 1960s and 1970s _bAuthenticity, Authority, Influence
250			_a1
260			_aOxford _bRoutledge _c20160303
300			_a212 p
520			_bThe similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Léo Ferré, Fabrizio De André and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore.
999			_c4924 _d4924