| 000 | 02351 a2200421 4500 | ||
|---|---|---|---|
| 001 | 1317226119 | ||
| 005 | 20250317111612.0 | ||
| 008 | 250312042016GB eng | ||
| 020 | _a9781317226116 | ||
| 037 |
_bTaylor & Francis _cGBP 45.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJBCT _2thema |
|
| 072 | 7 |
_aJPWC _2thema |
|
| 072 | 7 |
_aGTM _2thema |
|
| 072 | 7 |
_aATF _2thema |
|
| 072 | 7 |
_aQDTS _2thema |
|
| 072 | 7 |
_aJPFN _2thema |
|
| 072 | 7 |
_aJBSF _2thema |
|
| 072 | 7 |
_a1FKA _2bisac |
|
| 072 | 7 |
_aJFD _2bic |
|
| 072 | 7 |
_aJPVL _2bic |
|
| 072 | 7 |
_aGTB _2bic |
|
| 072 | 7 |
_aAPF _2bic |
|
| 072 | 7 |
_aHPS _2bic |
|
| 072 | 7 |
_aJPFN _2bic |
|
| 072 | 7 |
_aJFSJ _2bic |
|
| 072 | 7 |
_a1FKA _2bisac |
|
| 072 | 7 |
_aSOC008000 _2bisac |
|
| 072 | 7 |
_aSOC053000 _2bisac |
|
| 072 | 7 |
_a791.436581 _2bisac |
|
| 100 | 1 | _aSikata Banerjee | |
| 245 | 1 | 0 |
_aGender, Nation and Popular Film in India _bGlobalizing Muscular Nationalism |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20161208 |
||
| 300 | _a152 p | ||
| 520 | _bInterpretations of manhood have unfolded in India within a middle class cultural milieu shaped by an assertive self-confidence fuelled by liberalisation, a process by which India has been integrated into the global political economy and the prominence of Hindutva or Hindu nationalist politics. This book unpacks a particular gendered vision of nation in the modern Indian context by drawing on popular films. This muscular nationalism is an intersection of a specific vision of masculinity with the political doctrine of nationalism. The idea of nation is animated by an idea of manhood associated with martial prowess, muscular strength and toughness, but coupled with the image and construct of virtuous woman – a gendered binary of martial man and chaste woman. The author skilfully and convincingly draws together issues of political economy, including globalization and neoliberalism with majoritarian politics and popular culture, thus showing how disparate strands intersect and build on each other. Using interpretive methodologies and popular media, the book presents new interpretations of Bollywood films through the lenses of gender, masculinity and nationalism. It will be of interest to scholars of South Asian politics and culture, in particular Indian nationalism, popular culture, media and gender studies. | ||
| 999 |
_c4970 _d4970 |
||