| 000 | 01334 a2200253 4500 | ||
|---|---|---|---|
| 001 | 1351754017 | ||
| 005 | 20250317111613.0 | ||
| 008 | 250312042019GB eng | ||
| 020 | _a9781351754019 | ||
| 037 |
_bTaylor & Francis _cGBP 52.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJHB _2thema |
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| 072 | 7 |
_aJHB _2bic |
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| 072 | 7 |
_aSOC000000 _2bisac |
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| 072 | 7 |
_aSOC026000 _2bisac |
|
| 072 | 7 |
_a782.29209 _2bisac |
|
| 100 | 1 | _aEmma Hornby | |
| 245 | 1 | 0 |
_aGregorian and Old Roman Eighth-mode Tracts: A Case Study in the Transmission of Western Chant _bA Case Study in the Transmission of Western Chant |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20190115 |
||
| 300 | _a420 p | ||
| 520 | _bThis title was first published in 2002: This text uses detailed analysis of the eigth-mode tracts in addressing some of the still unresolved questions of chant scholarship. The first question is that of the nature of the relationship between Old Roman and Gregorian chant, the second, of the relationship between oral and written modes of transmission in the ecclesiastical culture of the Middle Ages. Also, the Middle Ages saw a transition to a culture more dependent on writing. The book investigates the effect this transition had on the way eighth-mode tracts were understood by those who performed and notated them. | ||
| 999 |
_c5081 _d5081 |
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