000 02193 a2200241 4500
001 1138971022
005 20250317100354.0
008 250312042016GB eng
020 _a9781138971028
037 _bTaylor & Francis
_cGBP 49.99
_fBB
040 _a01
041 _aeng
072 7 _aD
_2thema
072 7 _aD
_2bic
072 7 _aLIT000000
_2bisac
072 7 _a330.157
_2bisac
100 1 _aCharles Lewis
245 1 0 _aCoincidence of Wants
_bThe Novel and Neoclassical Economics
250 _a1
260 _aOxford
_bRoutledge
_c20160518
300 _a153 p
520 _bThis interdisciplinary study examines four major British and American novels in view of key concepts from the mainstream tradition of neoclassical economics. Studies of the novel widely address its connections to capitalism, yet literary critics and theorists rarely make reference to neoclassical perspectives, which have held a key position in the formal analysis of the marketplace for over a century. Lewis argues that this overlooked area of economic thought, with its emphasis on subjective value, individual agency, and utility maximization, points to a previously unrecognized and important coincidence of wants between economic and novelistic discourse. In each of the four readings, Lewis uses a single economic problem from neoclassical theory as a model for interpreting novelistic form and content as economic configurations. Topics include narrative deferral, detour, and return as a performance of capital formation and economic development in Daniel Defoe's Robinson Crusoe; the emergence of the creative, risk-taking entrepreneur in Mary Shelley's Frankenstein; the representation of money in the romantic realization of trade in Herman Melville's Moby Dick; and a consumer utility theory of naturalist desire and indifference in Theodore Dreiser's Sister Carrie. Underscoring how neoclassical theory variously elaborates on and departs from other economic approaches and periods, the author also addresses the limitations of, and the possibilities of profitable exchange with, other critical frameworks for understanding literal and symbolic economies in narrative fiction more broadly.
999 _c519
_d519