| 000 | 02332 a2200409 4500 | ||
|---|---|---|---|
| 001 | 1351386484 | ||
| 005 | 20250317111615.0 | ||
| 008 | 250312042017GB eng | ||
| 020 | _a9781351386487 | ||
| 037 |
_bTaylor & Francis _cGBP 45.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJBCT _2thema |
|
| 072 | 7 |
_aJBCC1 _2thema |
|
| 072 | 7 |
_aJBSF _2thema |
|
| 072 | 7 |
_aGTM _2thema |
|
| 072 | 7 |
_aNH _2thema |
|
| 072 | 7 |
_a1FK _2bisac |
|
| 072 | 7 |
_aJFD _2bic |
|
| 072 | 7 |
_aJFCA _2bic |
|
| 072 | 7 |
_aJFSJ _2bic |
|
| 072 | 7 |
_aGTB _2bic |
|
| 072 | 7 |
_aH _2bic |
|
| 072 | 7 |
_a1FK _2bisac |
|
| 072 | 7 |
_aPER004000 _2bisac |
|
| 072 | 7 |
_aSOC022000 _2bisac |
|
| 072 | 7 |
_aPER004040 _2bisac |
|
| 072 | 7 |
_aSOC008000 _2bisac |
|
| 072 | 7 |
_aSOC053000 _2bisac |
|
| 072 | 7 |
_a791.436164 _2bisac |
|
| 100 | 1 | _aMithuraaj Dhusiya | |
| 245 | 1 | 0 |
_aIndian Horror Cinema _b(En)gendering the Monstrous |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge India _c20170913 |
||
| 300 | _a322 p | ||
| 520 | _bThis book studies the hitherto overlooked genre of horror cinema in India. It uncovers some unique and diverse themes that these films deal with, including the fear of the unknown, the supernatural, occult practices, communication with spirits of the deceased, ghosts, reincarnation, figures of vampires, zombies, witches and transmutations of human beings into non-human forms such as werewolves. It focusses on the construction of feminine and masculine subjectivities in select horror films across seven major languages – Hindi, Tamil, Telugu, Kannada, Bangla, Marathi and Malayalam. The author shows that the alienation of the body and bodily functions through the medium of the horror film serves to deconstruct stereotypes of caste, class, gender and anthropocentrism. Some riveting insights emerge thus, such as the masculinist undertow of the possession narrative and how complex structures of resistance accompany the anxieties of culture via the dread of laughter. This original account of Indian cinematic history is accessible yet strongly analytical and includes an exhaustive filmography. The book will interest scholars and researchers in film studies, media and cultural studies, art, popular culture and performance, literature, gender, sociology, South Asian studies, practitioners, filmmakers as well as cinephiles. | ||
| 999 |
_c5306 _d5306 |
||