| 000 | 01864 a2200409 4500 | ||
|---|---|---|---|
| 001 | 1315413485 | ||
| 005 | 20250317111615.0 | ||
| 008 | 250312042016GB 216 eng | ||
| 020 | _a9781315413488 | ||
| 037 |
_bTaylor & Francis _cGBP 41.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJB _2thema |
|
| 072 | 7 |
_aAGA _2thema |
|
| 072 | 7 |
_aABA _2thema |
|
| 072 | 7 |
_aGTM _2thema |
|
| 072 | 7 |
_a1FKA _2bisac |
|
| 072 | 7 |
_aJF _2bic |
|
| 072 | 7 |
_aAC _2bic |
|
| 072 | 7 |
_aABA _2bic |
|
| 072 | 7 |
_aGTB _2bic |
|
| 072 | 7 |
_a1FKA _2bisac |
|
| 072 | 7 |
_aART019000 _2bisac |
|
| 072 | 7 |
_aART026000 _2bisac |
|
| 072 | 7 |
_aART015000 _2bisac |
|
| 072 | 7 |
_aSOC000000 _2bisac |
|
| 072 | 7 |
_aSOC008000 _2bisac |
|
| 072 | 7 |
_aSOC053000 _2bisac |
|
| 072 | 7 |
_a709.540745456 _2bisac |
|
| 100 | 1 | _aRobert E. D'Souza | |
| 245 | 1 | 0 |
_aIndia’s Biennale Effect _bA politics of contemporary art |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge India _c20161014 |
||
| 300 | _a292 p | ||
| 520 | _bIndia’s Kochi-Muziris Biennale has been described as one of the most significant newly emergent biennales, alongside Shanghai, Sharjah and Dakar. However, there have been few sustained and critical studies of these events as specific sites of production and reception of contemporary art. This book, engaging with the Kochi Biennale, provides detailed examination of what the editors term as the ‘biennale effect’ — a layered contestation of place, economics, art and politics. It presents a close reading of the unique context of the biennale as well as sets out a broader critical framework for understanding global contemporary art and its effects. Replete with illustrations, this book will serve as an important and rare resource for scholars and researchers of contemporary art, art history, visual cultures, and media studies. | ||
| 700 | 1 |
_aSunil Manghani _4B01 |
|
| 999 |
_c5314 _d5314 |
||