| 000 | 01322 a2200289 4500 | ||
|---|---|---|---|
| 001 | 1138920665 | ||
| 005 | 20250317100355.0 | ||
| 008 | 250312042015GB eng | ||
| 020 | _a9781138920668 | ||
| 037 |
_bTaylor & Francis _cGBP 37.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJHBA _2thema |
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| 072 | 7 |
_aATD _2thema |
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| 072 | 7 |
_aJHBA _2bic |
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| 072 | 7 |
_aAN _2bic |
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| 072 | 7 |
_aPOL000000 _2bisac |
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| 072 | 7 |
_aPER015000 _2bisac |
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| 072 | 7 |
_aSOC026000 _2bisac |
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| 072 | 7 |
_a792.094 _2bisac |
|
| 100 | 1 | _aArpad Szakolczai | |
| 245 | 1 | 0 |
_aComedy and the Public Sphere _bThe Rebirth of Theatre as Comedy and the Genealogy of the Modern Public Arena |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20150521 |
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| 300 | _a358 p | ||
| 520 | _bThe book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture. | ||
| 999 |
_c537 _d537 |
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