000			01526 a2200241 4500
001			1317109031
005			20250317111618.0
008			250312042016GB eng
020			_a9781317109037
037			_bTaylor & Francis _cGBP 42.99 _fBB
040			_a01
041			_aeng
072	7		_aDS _2thema
072	7		_aDS _2bic
072	7		_aLIT000000 _2bisac
072	7		_a821.2093543 _2bisac
100	1		_aJoanna Martin
245	1	0	_aKingship and Love in Scottish Poetry, 1424–1540
250			_a1
260			_aOxford _bRoutledge _c20160422
300			_a212 p
520			_bLooking at late medieval Scottish poetic narratives which incorporate exploration of the amorousness of kings, this study places these poems in the context of Scotland's repeated experience of minority kings and a consequent instability in governance. The focus of this study is the presence of amatory discourses in poetry of a political or advisory nature, written in Scotland between the early fifteenth and the mid-sixteenth century. Joanna Martin offers new readings of the works of major figures in the Scottish literature of the period, including Robert Henryson, William Dunbar, and Sir David Lyndsay. At the same time, she provides new perspectives on anonymous texts, among them The Thre Prestis of Peblis and King Hart, and on the works of less well known writers such as John Bellenden and William Stewart, which are crucial to our understanding of the literary culture north of the Border during the period under discussion.
999			_c5569 _d5569