| 000 | 01527 a2200289 4500 | ||
|---|---|---|---|
| 001 | 1317026357 | ||
| 005 | 20250317111619.0 | ||
| 008 | 250312042016GB eng | ||
| 020 | _a9781317026358 | ||
| 037 |
_bTaylor & Francis _cGBP 48.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
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| 100 | 1 | _aBethan Jones | |
| 245 | 1 | 0 |
_aLast Poems of D.H. Lawrence _bShaping a Late Style |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20160303 |
||
| 300 | _a248 p | ||
| 520 | _bIn the first book to take D. H. Lawrence's Last Poems as its starting point, Bethan Jones adopts a broadly intertextual approach to explore key aspects of Lawrence's late style. The evolution and meaning of the poems are considered in relation to Lawrence's prose works of this period, including Sketches of Etruscan Places, Lady Chatterley's Lover, and Apocalypse. More broadly, Jones shows that Lawrence's late works are products of a complex process of textual assimilation, as she uncovers the importance of Lawrence's reading in mythology, cosmology, primitivism, mysticism, astronomy, and astrology. The result is a book that highlights the richness and diversity of his poetic output, also prioritizing the masterpieces of Lawrence's mature style which are as accomplished as anything produced by his Modernist contemporaries. | ||
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_c5604 _d5604 |
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