000 | 02219 a2200433 4500 | ||
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001 | 1317025210 | ||
005 | 20250317111620.0 | ||
008 | 250312042016GB eng | ||
020 | _a9781317025214 | ||
037 |
_bTaylor & Francis _cGBP 55.99 _fBB |
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040 | _a01 | ||
041 | _aeng | ||
072 | 7 |
_aLNR _2thema |
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_aJBCC1 _2thema |
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_aLAM _2thema |
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_aKNS _2thema |
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_aNH _2thema |
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_aLNR _2bic |
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_aLAB _2bic |
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_aJFCA _2bic |
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072 | 7 |
_aLAM _2bic |
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072 | 7 |
_aKNSP _2bic |
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_aH _2bic |
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072 | 7 |
_aLAW050000 _2bisac |
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_aLAW000000 _2bisac |
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072 | 7 |
_a346.048 _2bisac |
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100 | 1 | _aJohanna Gibson | |
245 | 1 | 0 |
_aLogic of Innovation _bIntellectual Property, and What the User Found There |
250 | _a1 | ||
260 |
_aOxford _bRoutledge _c20160303 |
||
300 | _a370 p | ||
520 | _bThe Logic of Innovation examines not merely the supposed problem of the efficacy and relevance of intellectual property, and the nature of innovation and creativity in a digital environment, but also the very circumstances of that inquiry itself. Social life has itself become a sphere of production, but how might that be understood within the cultural and structural transformation of creativity, innovation and property? Through a highly original interlocutory and therapeutic approach to the issues in play, the author addresses the concepts of innovation and the digital by means of an investigation through literature and the imagination of new scenarios for language, business and legal reform. The book undertakes a complex inquiry into innovation and property through the wonder of Alice’s journeys in Wonderland and through the Looking-glass. The author presents a new theory of familiar production to account for the kinship that has emerged in both informal and commercial modes of innovation, and foregrounds the value of use as crucial to the articulation of intellectual property within contemporary models of production and commercialization in the digital. | ||
999 |
_c5699 _d5699 |