000			01845 a2200361 4500
001			1315534282
005			20250317111621.0
008			250312042018GB eng
020			_a9781315534282
037			_bTaylor & Francis _cGBP 52.99 _fBB
040			_a01
041			_aeng
072	7		_aDNT _2thema
072	7		_aDSBF _2thema
072	7		_aDSK _2thema
072	7		_a1DDU _2bisac
072	7		_aDQ _2bic
072	7		_aDSBF _2bic
072	7		_aDSK _2bic
072	7		_a1DBK _2bisac
072	7		_aLCO009000 _2bisac
072	7		_aLCO019000 _2bisac
072	7		_aLIT000000 _2bisac
072	7		_aLIT004120 _2bisac
072	7		_aLIT004290 _2bisac
072	7		_aLIT024040 _2bisac
100	1		_aSusanne Schmid
245	1	0	_aMarmaduke Herbert; or, the Fatal Error _bby Marguerite Blessington
250			_a1
260			_aOxford _bRoutledge _c20180903
300			_a444 p
520			_bIn the early and mid-nineteenth century, Marguerite Blessington, who had been born in Ireland but spent most of her life in London, became a famous salonnière; she was generally regarded as an important contemporary author, but as no literary executor took care of her oeuvre posthumously, she eventually moved into the background. Her novels, partly informed by the silver-fork genre, are typical examples of Romantic Victorianism, influenced by the Romantic cult of the solitary male self, by the fascination with Italy, and by the 1840s vogue of crime fiction, while simultaneously giving space to ambivalent reflections about Blessington’s own Irish background. This volume, as part of ‘Chawton House Library: Women’s Novels’ series, presents her 1847 novel Marmaduke Herbert; or, the Fatal Error , a highly popular piece of fiction in its day, being reprinted in German, French and American editions within a year of its publication.
999			_c5806 _d5806