| 000 | 01935 a2200337 4500 | ||
|---|---|---|---|
| 001 | 1317098730 | ||
| 005 | 20250317111622.0 | ||
| 008 | 250312042016GB eng | ||
| 020 | _a9781317098737 | ||
| 037 |
_bTaylor & Francis _cGBP 42.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJBCC1 _2thema |
|
| 072 | 7 |
_aAVLP _2thema |
|
| 072 | 7 |
_aJBCT _2thema |
|
| 072 | 7 |
_aNH _2thema |
|
| 072 | 7 |
_a6PB _2bisac |
|
| 072 | 7 |
_a6RF _2bisac |
|
| 072 | 7 |
_aJFCA _2bic |
|
| 072 | 7 |
_aAVGP _2bic |
|
| 072 | 7 |
_aJFD _2bic |
|
| 072 | 7 |
_aH _2bic |
|
| 072 | 7 |
_aMUS000000 _2bisac |
|
| 072 | 7 |
_a384 _2bisac |
|
| 100 | 1 | _aElodie A. Roy | |
| 245 | 1 | 0 |
_aMedia, Materiality and Memory _bGrounding the Groove |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20160309 |
||
| 300 | _a234 p | ||
| 520 | _bMedia, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison’s phonograph to digital music files, from record collections to online archives, Roy argues that materiality plays a crucial role in constructing and understanding the territory of recorded sound. How do musical objects ‘write’ cultural narratives? How can we unearth and reactivate past histories by looking at yesterday’s media formats? What is the nature, and fate, of the physical archive in an increasingly dematerialized world? In what ways do physical and digital musical objects coexist and intersect? With its innovative theoretical approach, the book explores the implications of materialization in the fashioning of a musical world and its cultural transmission. A substantial contribution to the field of music and material culture studies, Media, Materiality and Memory also provides a nuanced and timely reflection on nostalgia and forgetting in the digital age. | ||
| 999 |
_c5836 _d5836 |
||