000 | 01345 a2200301 4500 | ||
---|---|---|---|
001 | 1135200491 | ||
005 | 20250317111625.0 | ||
008 | 250312042016GB eng | ||
020 | _a9781135200497 | ||
037 |
_bTaylor & Francis _cGBP 42.99 _fBB |
||
040 | _a01 | ||
041 | _aeng | ||
072 | 7 |
_aJBCC _2thema |
|
072 | 7 |
_aJBCT _2thema |
|
072 | 7 |
_aNH _2thema |
|
072 | 7 |
_aJFC _2bic |
|
072 | 7 |
_aJFD _2bic |
|
072 | 7 |
_aH _2bic |
|
072 | 7 |
_aART023000 _2bisac |
|
072 | 7 |
_aSOC052000 _2bisac |
|
072 | 7 |
_a973.92 _2bisac |
|
100 | 1 | _aAndrew Ross | |
245 | 1 | 0 |
_aNo Respect _bIntellectuals and Popular Culture |
250 | _a1 | ||
260 |
_aOxford _bRoutledge _c20160916 |
||
300 | _a288 p | ||
520 | _bThe intellectual and the popular: Irving Howe and John Waters, Susan Sontag and Ethel Rosenberg, Dwight MacDonald and Bill Cosby, Amiri Baraka and Mick Jagger, Andrea Dworkin and Grace Jones, Andy Warhol and Lenny Bruce. All feature in Andrew Ross's lively history and critique of modern American culture. Andrew Ross examines how and why the cultural authority of modern intellectuals is bound up with the changing face of popular taste in America. He argues that the making of "taste" is hardly an aesthetic activity, but rather an exercise in cultural power, policing and carefully redefining social relations between classes. | ||
999 |
_c6147 _d6147 |