| 000 | 01957 a2200313 4500 | ||
|---|---|---|---|
| 001 | 135000331X | ||
| 005 | 20250317100355.0 | ||
| 008 | 250312042020GB eng | ||
| 020 | _a9781350003316 | ||
| 037 |
_bTaylor & Francis _cGBP 25.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aAB _2thema |
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| 072 | 7 |
_aAJ _2thema |
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| 072 | 7 |
_aAB _2bic |
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| 072 | 7 |
_aAJ _2bic |
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| 072 | 7 |
_aPHO005000 _2bisac |
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| 072 | 7 |
_aPHO010000 _2bisac |
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_a770 _2bisac |
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| 100 | 1 | _aSally Miller | |
| 245 | 1 | 0 |
_aContemporary Photography and Theory _bConcepts and Debates |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20200526 |
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| 300 | _a252 p | ||
| 520 | _bContemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others. They are the perfect starting point for essays as well being of suitable length for assigned readings, making this the ideal resource for learning about contemporary photography and theory. | ||
| 999 |
_c618 _d618 |
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