000 | 01304 a2200337 4500 | ||
---|---|---|---|
001 | 1315515156 | ||
005 | 20250317111626.0 | ||
008 | 250312042016GB eng | ||
020 | _a9781315515151 | ||
037 |
_bTaylor & Francis _cGBP 26.99 _fBB |
||
040 | _a01 | ||
041 | _aeng | ||
072 | 7 |
_aJHBA _2thema |
|
072 | 7 |
_aJBCC1 _2thema |
|
072 | 7 |
_aNH _2thema |
|
072 | 7 |
_aJHBA _2bic |
|
072 | 7 |
_aJFCA _2bic |
|
072 | 7 |
_aH _2bic |
|
072 | 7 |
_aPER009000 _2bisac |
|
072 | 7 |
_aPER014000 _2bisac |
|
072 | 7 |
_aPER019000 _2bisac |
|
072 | 7 |
_aSOC026000 _2bisac |
|
072 | 7 |
_a791.43655 _2bisac |
|
100 | 1 | _aHamid Naficy | |
245 | 1 | 0 |
_aOtherness and the Media _bThe Ethnography of the Imagined and the Imaged |
250 | _a1 | ||
260 |
_aOxford _bRoutledge _c20161004 |
||
300 | _a306 p | ||
520 | _bThis anthology on otherness and the media, first published in 1993, was prompted by the proliferation of writings centring on issues of ‘difference’, ‘diversity’, ‘multiculturalism’, ‘representation’ and ‘postcolonial’ discourses. Such issues and discourses question existing canons of criticism, theory and cultural practice but also because they suggest a new sense of direction in theorisation of difference and representation. | ||
700 | 1 |
_aTeshome H. Gabriel _4B01 |
|
999 |
_c6231 _d6231 |