| 000 | 02947 a2200433 4500 | ||
|---|---|---|---|
| 001 | 1317423313 | ||
| 005 | 20250317111626.0 | ||
| 008 | 250312042015GB 14 eng | ||
| 020 | _a9781317423317 | ||
| 037 |
_bTaylor & Francis _cGBP 49.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aGTM _2thema |
|
| 072 | 7 |
_aKC _2thema |
|
| 072 | 7 |
_aNH _2thema |
|
| 072 | 7 |
_aJBCC1 _2thema |
|
| 072 | 7 |
_aJPWC _2thema |
|
| 072 | 7 |
_aJHB _2thema |
|
| 072 | 7 |
_a1FPC _2bisac |
|
| 072 | 7 |
_aGTB _2bic |
|
| 072 | 7 |
_aKC _2bic |
|
| 072 | 7 |
_aH _2bic |
|
| 072 | 7 |
_aJFCA _2bic |
|
| 072 | 7 |
_aJPVL _2bic |
|
| 072 | 7 |
_aJHB _2bic |
|
| 072 | 7 |
_a1FPC _2bisac |
|
| 072 | 7 |
_aPOL000000 _2bisac |
|
| 072 | 7 |
_aPOL005000 _2bisac |
|
| 072 | 7 |
_aPOL038000 _2bisac |
|
| 072 | 7 |
_aSOC008000 _2bisac |
|
| 072 | 7 |
_aSOC053000 _2bisac |
|
| 072 | 7 |
_a384.80951 _2bisac |
|
| 100 | 1 | _aElena Meyer-Clement | |
| 245 | 1 | 0 |
_aParty Hegemony and Entrepreneurial Power in China _bInstitutional Change in the Film and Music Industries |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20150916 |
||
| 300 | _a284 p | ||
| 520 | _bEconomic liberalisation processes and the rapid development of the private sector are widely visible signs of over thirty years of reform policies in the People’s Republic of China. Nevertheless, the Chinese Communist Party (CCP) has managed to preserve the basic political institutions of the Leninist Party-state, including its own unrestrained position of political power. Against this background, this book investigates the interrelationship between processes of marketisation and commercialisation, and the stability of the CCP regime. The aim of the book is to complement existing literature on adaptive governance in China and on the reasons for the CCP regime’s relative stability, while providing new information about the relationship between the Chinese party-state and private entrepreneurs. Taking case studies from the film and music industries, the book gives a detailed account of the political and economic history of these industries in China, with special attention given to the role played by private production companies as intermediaries between artistic creation, political and ideological constraints, and the market. A historical institutionalist approach is employed to trace the effect of Chinese policies on popular culture and the institutions of administrative, economic, political and ideological control over the film and music industries back to the 1950s, revealing the mechanisms and prospects of CCP hegemony in the cultural sector. Examining the effects of the marketisation and commercialisation processes on the communist regime and vice versa, this book also offers a fresh perspective on the origins of today’s Chinese popular cultural mainstream. It will therefore be of great interest to students and scholars of Chinese politics, Chinese culture and media and Chinese government-business relations. | ||
| 999 |
_c6259 _d6259 |
||