000			02166 a2200313 4500
001			1351911627
005			20250317111626.0
008			250312042017GB eng
020			_a9781351911627
037			_bTaylor & Francis _cGBP 49.99 _fBB
040			_a01
041			_aeng
072	7		_aDSB _2thema
072	7		_aDB _2thema
072	7		_aNHC _2thema
072	7		_aDSBD _2bic
072	7		_aDB _2bic
072	7		_aHBLA1 _2bic
072	7		_aLIT019000 _2bisac
072	7		_aLIT000000 _2bisac
072	7		_a016.8511 _2bisac
100	1		_aJackson Campbell Boswell
245	1	0	_aPetrarch's English Laurels, 1475–1700 _bA Compendium of Printed References and Allusions
250			_a1
260			_aOxford _bRoutledge _c20170515
300			_a600 p
520			_bThe powerful influence of Petrarch on the development of Renaissance vernacular poetry has long been recognized as one of the major factors in early modern cultural history; this work provides a far more comprehensive catalogue of the direct evidence for that influence in England than any yet available. Following the model of Boswell's Dante's Fame in England (1999), it offers an itemized presentation, year by year, of printed citations, translations, and allusions, with complete bibliographical information, quotations of the relevant passages, and brief commentary. The most fully studied aspect of Petrarch's influence, his love poetry as a model for imitation, remains paramount: a model by turns slavishly imitated, ruthlessly mocked, and searchingly reworked, sometimes all at the same time. But the significance of other aspects of his legacy are also documented, with new fullness: notably his Latin prose works-especially his encyclopedic moral treatise On the Remedies of Both Kinds of Fortune, popular throughout the period-and his polemics against the Avignon papacy, which earned him a strong reputation in England as an angry moral prophet and champion of what would become the Protestant cause. The picture here presented provides new texture and complexity for any further discussion of Petrarch in the English Renaissance.
700	1		_aGordon McMurry Braden _4B01
999			_c6300 _d6300