000 | 02088 a2200349 4500 | ||
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001 | 1317079604 | ||
005 | 20250317111627.0 | ||
008 | 250312042017GB eng | ||
020 | _a9781317079606 | ||
037 |
_bTaylor & Francis _cGBP 42.99 _fBB |
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040 | _a01 | ||
041 | _aeng | ||
072 | 7 |
_aN _2thema |
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_a943.9041 _2bisac |
|
100 | 1 | _aClaire Norton | |
245 | 1 | 0 |
_aPlural Pasts _bPower, Identity and the Ottoman Sieges of Nagykanizsa Castle |
250 | _a1 | ||
260 |
_aOxford _bRoutledge _c20170203 |
||
300 | _a202 p | ||
520 | _bThrough a study of a variety of Ottoman and modern Turkish accounts of the Ottoman-Habsburg sieges of Nagykanizsa Castle (1600-01) including official documents, correspondence, histories, and more literary genres such as gazavatnames [campaign narratives], Plural Pasts explores Ottoman literacy practices. By considering the diverse roles that the various accounts served – construction of identities, forging of diplomatic alliances and legitimization of political ideologies and geo-political imaginations – it explores the cultural and socio-political significance the various accounts had for different audiences. In addition, it interweaves theoretical reflection with textual analysis. Using the sieges of Nagykanizsa as a case study, it offers a sophisticated contribution to ongoing historiographical arguments: namely, how historians construct hierarchies of primary sources and judge some to be more truthful, or more valuable, than others; how texts are assigned to particular genres based on perceived epistemological status – as story or history, fact or fiction; and the circular role that historians and their histories play in constructing, reflecting and reinforcing cultural and political imaginaries. | ||
999 |
_c6359 _d6359 |