000			01739 a2200313 4500
001			1351790021
005			20250317111628.0
008			250312042019GB eng
020			_a9781351790024
037			_bTaylor & Francis _cGBP 44.99 _fBB
040			_a01
041			_aeng
072	7		_aJBCT _2thema
072	7		_aJBCC _2thema
072	7		_aNH _2thema
072	7		_aJFD _2bic
072	7		_aJFC _2bic
072	7		_aH _2bic
072	7		_aSOC052000 _2bisac
072	7		_aMUS020000 _2bisac
072	7		_a306.4842 _2bisac
100	1		_aAndy Bennett
245	1	0	_aPopular Music, Cultural Memory, and Heritage
250			_a1
260			_aOxford _bRoutledge _c20190709
300			_a140 p
520			_bPopular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites – including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives – constitute some of the key ways in which popular music artists, scenes and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society.
700	1		_aSusanne Janssen _4B01
999			_c6437 _d6437