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008 250312042018GB eng
020 _a9781351602044
037 _bTaylor & Francis
_cGBP 41.99
_fBB
040 _a01
041 _aeng
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072 7 _a820.935610902
_2bisac
100 1 _aChloe Porter
245 1 0 _aProsthesis in Medieval and Early Modern Culture
250 _a1
260 _aOxford
_bRoutledge
_c20181207
300 _a184 p
520 _b‘Prosthesis’ denotes a rhetorical ‘addition’ to a pre-existing ‘beginning’, a ‘replacement’ for that which is ‘defective or absent’, a technological mode of ‘correction’ that reveals a history of corporeal and psychic discontent. Recent scholarship has given weight to these multiple meanings of ‘prosthesis’ as tools of analysis for literary and cultural criticism. The study of pre-modern prosthesis, however, often registers as an absence in contemporary critical discourse. This collection seeks to redress this omission, reconsidering the history of prosthesis and its implications for contemporary critical responses to, and uses of, it. The book demonstrates the significance of notions of prosthesis in medieval and early modern theological debate, Reformation controversy, and medical discourse and practice. It also tracks its importance for imaginings of community and of the relationship of self and other, as performed on the stage, expressed in poetry, charms, exemplary and devotional literature, and as fought over in the documents of religious and cultural change. Interdisciplinary in nature, the book engages with contemporary critical and cultural theory and philosophy, genre theory, literary history, disability studies, and medical humanities, establishing prosthesis as a richly productive analytical tool in the pre-modern, as well as the modern, context. This book was originally published as a special issue of the Textual Practice journal.
700 1 _aKatie L. Walter
_4B01
700 1 _aMargaret Healy
_4B01
999 _c6558
_d6558