000			01758 a2200337 4500
001			1317064054
005			20250317111632.0
008			250312042016GB eng
020			_a9781317064053
037			_bTaylor & Francis _cGBP 46.99 _fBB
040			_a01
041			_aeng
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100	1		_aAnatoly Milka
245	1	0	_aRethinking J.S. Bach's The Art of Fugue
250			_a1
260			_aOxford _bRoutledge _c20160913
300			_a286 p
520			_bThe enigmatic character of The Art of Fugue became apparent as early as in its first edition, printed more than a year after the composer’s death. Carl Philipp Emanuel Bach, who published both the first and the second editions, raised several unsolved questions regarding this opus. Anatoly P Milka presents a consistent and coherent solution to the unresolved questions about the history, structure and appearance of J.S. Bach’s The Art of Fugue , opening new perspectives for further exploration of this musical masterpiece. Milka challenges the present scholarly consensus that there exist two different versions of The Art of Fugue (the Autograph and the Original Edition) and argues that Bach had considered four versions, of which only two are apparent and have been discussed so far. Only Bach’s illness and death prevented him from fulfilling his plan and publishing a fourth, conclusive version of his opus.
700	1		_aEsti Sheinberg _4B01
700	1		_atranslated by Marina Ritzarev _4B06
999			_c6820 _d6820