000 | 01995 a2200445 4500 | ||
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001 | 1317062051 | ||
005 | 20250317111633.0 | ||
008 | 250312042016GB eng | ||
020 | _a9781317062059 | ||
037 |
_bTaylor & Francis _cGBP 42.99 _fBB |
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040 | _a01 | ||
041 | _aeng | ||
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_a820.9351 _2bisac |
|
100 | 1 | _aLesley Coote | |
245 | 1 | 0 |
_aRobin Hood in Outlaw/ed Spaces _bMedia, Performance, and Other New Directions |
250 | _a1 | ||
260 |
_aOxford _bRoutledge _c20161110 |
||
300 | _a250 p | ||
520 | _bFollowing in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood ’legend’ has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of ’real’ lives. | ||
700 | 1 |
_aValerie Johnson _4B01 |
|
999 |
_c6887 _d6887 |