000 | 01950 a2200385 4500 | ||
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001 | 1317232860 | ||
005 | 20250317111636.0 | ||
008 | 250312042016GB eng | ||
020 | _a9781317232865 | ||
037 |
_bTaylor & Francis _cGBP 41.99 _fBB |
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040 | _a01 | ||
041 | _aeng | ||
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_a791.430954 _2bisac |
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100 | 1 | _aVikrant Kishore | |
245 | 1 | 0 |
_aSalaam Bollywood _bRepresentations and interpretations |
250 | _a1 | ||
260 |
_aOxford _bRoutledge India _c20160331 |
||
300 | _a336 p | ||
520 | _bThis book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century. One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike. | ||
700 | 1 |
_aAmit Sarwal _4B01 |
|
700 | 1 |
_aParichay Patra _4B01 |
|
999 |
_c7086 _d7086 |