000			01827 a2200265 4500
001			131755017X
005			20250317111636.0
008			250312042015GB eng
020			_a9781317550174
037			_bTaylor & Francis _cGBP 43.99 _fBB
040			_a01
041			_aeng
072	7		_aDSA _2thema
072	7		_aJHMC _2thema
072	7		_aDSA _2bic
072	7		_aJHMC _2bic
072	7		_aSOC002000 _2bisac
072	7		_a821.04 _2bisac
100	1		_aDavid Buchan
245	1	0	_aScottish Ballad Book (RLE Folklore)
250			_a1
260			_aOxford _bRoutledge _c20150220
300			_a242 p
520			_bThe popular appeal of the ballad is perennial, and few literary genres give so much pleasure to so many kinds of people. This anthology, first published in 1973, is drawn from the richest ballad tradition in Britain, that of the Northeast of Scotland. It provides a fresh and original choice of songs that ranges from the old ballads like ‘Gil Brenton’ and ‘Willie’s Lady’ to the bothy ballads like ‘The Tarves Rant’. The collection illustrates the development of a tradition over the centuries from the oral stage down to the modern, and exemplifies the methods of composition and transmission, the kinds of ballad-story, and the types of ballad-text found in the various stages of a ballad tradition. It illustrates the variety of subject matter, and indicates lines of relationship with other genres of Folklore Studies. A substantial section, containing what are widely acknowledged as the best of all British ballads, the oral ballads of Anna Brown, demonstrates clearly that the ballads are not merely simple or crude poems; in their oral form, they are narrative songs of some complexity and sophistication. This anthology is complementary to Dr Buchan’s The Ballad and the Folk .
999			_c7124 _d7124