000 | 01774 a2200349 4500 | ||
---|---|---|---|
001 | 1317056914 | ||
005 | 20250317111636.0 | ||
008 | 250312042016GB eng | ||
020 | _a9781317056911 | ||
037 |
_bTaylor & Francis _cGBP 47.99 _fBB |
||
040 | _a01 | ||
041 | _aeng | ||
072 | 7 |
_aAMX _2thema |
|
072 | 7 |
_aATD _2thema |
|
072 | 7 |
_aAMVD _2thema |
|
072 | 7 |
_aTN _2thema |
|
072 | 7 |
_aRP _2thema |
|
072 | 7 |
_aAMX _2bic |
|
072 | 7 |
_aAN _2bic |
|
072 | 7 |
_aAMVD _2bic |
|
072 | 7 |
_aTN _2bic |
|
072 | 7 |
_aRP _2bic |
|
072 | 7 |
_aARC000000 _2bisac |
|
072 | 7 |
_aARC005000 _2bisac |
|
072 | 7 |
_a725.8220904 _2bisac |
|
100 | 1 | _aAlistair Fair | |
245 | 1 | 0 |
_aSetting the Scene _bPerspectives on Twentieth-Century Theatre Architecture |
250 | _a1 | ||
260 |
_aOxford _bRoutledge _c20160303 |
||
300 | _a270 p | ||
520 | _bDuring the twentieth century, an increasingly diverse range of buildings and spaces was used for theatre. Theatre architecture was re-formed by new approaches to staging and performance, while theatre was often thought to have a reforming role in society. Innovation was accompanied by the revival and reinterpretation of older ideas. The contributors to this volume explore these ideas in a variety of contexts, from detailed discussions of key architects’ work (including Denys Lasdun, Peter Moro, Cedric Price and Heinrich Tessenow) to broader surveys of theatre in West Germany and Japan. Other contributions examine the Malmö Stadsteater, ’ideal’ theatres in post-war North America, ’found space’ in 1960s New York, and Postmodernity in 1980s East Germany. Together these essays shed new light on this complex building type and also contribute to the wider architectural history of the twentieth century. | ||
999 |
_c7171 _d7171 |