000 | 01121 a2200325 4500 | ||
---|---|---|---|
001 | 1317638743 | ||
005 | 20250317111637.0 | ||
008 | 250312042014GB eng | ||
020 | _a9781317638742 | ||
037 |
_bTaylor & Francis _cGBP 44.99 _fBB |
||
040 | _a01 | ||
041 | _aeng | ||
072 | 7 |
_aDDA _2thema |
|
072 | 7 |
_aATD _2thema |
|
072 | 7 |
_aAFKP _2thema |
|
072 | 7 |
_aDDS _2bic |
|
072 | 7 |
_aAN _2bic |
|
072 | 7 |
_aAFKP _2bic |
|
072 | 7 |
_aLIT015000 _2bisac |
|
072 | 7 |
_aDRA010000 _2bisac |
|
072 | 7 |
_aPER001000 _2bisac |
|
072 | 7 |
_aPER011000 _2bisac |
|
072 | 7 |
_a792.95 _2bisac |
|
100 | 1 | _aToby Lelyveld | |
245 | 1 | 0 | _aShylock on the Stage |
250 | _a1 | ||
260 |
_aOxford _bRoutledge _c20140813 |
||
300 | _a162 p | ||
520 | _bOriginally published in 1961, this book is a study of the ways actors since the time of Shakespeare have portrayed the character of Shylock. A pioneering work in the study of performance history as well as in the portrayal of Jews in English literature. Specifically it studies Charles Macklin, Edmund Kean, Edwin Booth, Henry Irving and more recent performers. | ||
999 |
_c7225 _d7225 |