000			02068 a2200349 4500
001			1317409906
005			20250317111639.0
008			250312042016GB 212 eng
020			_a9781317409908
037			_bTaylor & Francis _cGBP 47.99 _fBB
040			_a01
041			_aeng
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100	1		_aGerald Groemer
245	1	0	_aStreet Performers and Society in Urban Japan, 1600-1900 _bThe Beggar's Gift
250			_a1
260			_aOxford _bRoutledge _c20160113
300			_a434 p
520			_bThis book presents a thoroughly researched and meticulously documented study of the emergence, development, and demise of music, theatre, recitation, and dance witnessed by the populace on thoroughfares, plazas, and makeshift outdoor performance spaces in Edo/Tokyo. For some three hundred years this city was the centre of such arts, both sacred and secular. This study outlines the nature of the performances, explores the social relations which lay behind them, and reveals vast complexity: an obligation of gift-giving on the part of observers; performers who were often economic migrants fallen on hard times; relations of performance to social class; a class system much more finely gradated than the official four caste system; and institutions of professional organization and registration, enforced by government, with penalties for unregistered performers. The book discusses how performing, witnessing, and rewarding performance were closely bound up with economy, society and government, how the interaction between various groups related to socio-economic advancement, how the system of street performance reinforced social control, and how the balance between different groups shifted over time.
999			_c7410 _d7410