000			01939 a2200349 4500
001			135160953X
005			20250317111641.0
008			250312042018GB eng
020			_a9781351609531
037			_bTaylor & Francis _cGBP 39.99 _fBB
040			_a01
041			_aeng
072	7		_aJBCT _2thema
072	7		_aJPWC _2thema
072	7		_aATF _2thema
072	7		_aJBCC1 _2thema
072	7		_aNH _2thema
072	7		_aJFD _2bic
072	7		_aJPVL _2bic
072	7		_aAPF _2bic
072	7		_aJFCA _2bic
072	7		_aH _2bic
072	7		_aSOC052000 _2bisac
072	7		_a791.43658 _2bisac
100	1		_aAna Cristina Mendes
245	1	0	_aTransnational Cinema at the Borders _bBorderscapes and the cinematic imaginary
250			_a1
260			_aOxford _bRoutledge _c20181207
300			_a140 p
520			_bIn tandem with a postnational imaginary which is nurtured by the ever-present promise of deterritorialized mobility and burgeoning migratory fluxes, walls and fences separating nation-states multiply. This is a burning issue: even though nation states at the centre of the global order increasingly present themselves as postnational, calls for tighter border security undermine utopian notions of both a borderless New Europe and the USA as the Promised Land. This collection investigates the urgent issue of borderscapes and the cinematic imaginary by bringing together a range of new approaches in the field of film and media studies, crossing over into sociology, migration studies and artistic research. The contributions focus on the interrelated motifs of borderscapes as they are represented and used in transnational cinematographies, from Palestine to Sweden, Spain, Finland, Italy, Iran, Iraq, France, the UK and US, and as constituting premises of cinematic production. The chapters in this book were originally published in the Transnational Cinemas journal.
700	1		_aJohn Sundholm _4B01
999			_c7634 _d7634