000			02076 a2200253 4500
001			1351875248
005			20250317111643.0
008			250312042016GB eng
020			_a9781351875240
037			_bTaylor & Francis _cGBP 52.99 _fBB
040			_a01
041			_aeng
072	7		_aQD _2thema
072	7		_aHP _2bic
072	7		_aPHI026000 _2bisac
072	7		_aPHI000000 _2bisac
072	7		_a198.9 _2bisac
100	1		_aJon Stewart
245	1	0	_aVolume 12, Tome II: Kierkegaard's Influence on Literature, Criticism and Art _bDenmark
250			_a1
260			_aOxford _bRoutledge _c20161205
300			_a204 p
520			_bWhile Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists worldwide who have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The goal of the present volume is to document this influence in different language groups and traditions. Tome II is dedicated to the use of Kierkegaard by later Danish writers. Almost from the beginning Kierkegaard’s works were standard reading for these authors. Danish novelists and critics from the Modern Breakthrough movement in the 1870s were among the first to make extensive use of his writings. These included the theoretical leader of the movement, the critic Georg Brandes, who wrote an entire book on Kierkegaard, and the novelists Jens Peter Jacobsen and Henrik Pontoppidan. The next generation of writers from the turn of the century and through the First World War also saw in Kierkegaard important points of inspiration. These included Ernesto Dalgas and Harald Kidde, who used elements of Kierkegaard’s thought in their novels. Modern Danish writers such as Karen Blixen, Martin A. Hansen, and Villy Sørensen have continued to incorporate Kierkegaard into their works. There can be no doubt that Kierkegaard has indelibly stamped his name on Danish literature.
999			_c7822 _d7822