000 02882 a2200505 4500
001 1040260926
005 20250328151422.0
008 250324022025GB 150 eng
020 _a9781040260920
_qEA
037 _bTaylor & Francis
_cGBP 49.99
_fBB
040 _a01
041 _aeng
072 7 _aAJ
_2thema
072 7 _aAGA
_2thema
072 7 _aAB
_2thema
072 7 _aAF
_2thema
072 7 _aJB
_2thema
072 7 _aNH
_2thema
072 7 _aGTM
_2thema
072 7 _a1FKA
_2bisac
072 7 _aAJ
_2bic
072 7 _aAC
_2bic
072 7 _aAB
_2bic
072 7 _aAF
_2bic
072 7 _aJF
_2bic
072 7 _aHB
_2bic
072 7 _aGTB
_2bic
072 7 _a1FKA
_2bisac
072 7 _aPHO000000
_2bisac
072 7 _aPHO001000
_2bisac
072 7 _aPHO015000
_2bisac
072 7 _aPHO010000
_2bisac
072 7 _aART019020
_2bisac
072 7 _aART015000
_2bisac
072 7 _aART019000
_2bisac
072 7 _aSOC053000
_2bisac
072 7 _aSOC000000
_2bisac
100 1 _aRanu Roychoudhuri
245 1 0 _aDocumenting Industry
_bPhotography, Aesthetics and Labor in India
250 _a1
260 _aOxford
_bRoutledge India
_c20250314
300 _a182 p
520 _bWhether a smoky portrait of a coal mine or a sweeping shot of workers building an immense dam, photographs of established and emerging industries fundamentally shaped the visual culture and politics of South Asia in the decades after independence. This volume engages with the image of the laboring body against monumental machines, dams, and infrastructure and the ways in which photography engages with strands of modernist aesthetics to support new modes of seeing the changing industrial landscape and the human body. The multidisciplinary essays in the book embrace the porosity of “documentary” and “journalistic” photography and draw out questions of aesthetics in relation to both modernizing calls to industry and modernist framings of the visual in India. The book looks back at photographs from the twentieth and twenty-first centuries and critically considers post-World War II industry—with its imagery of factories belching pollutants into the air and the reality of massive displacements of workers due to epidemics, floods, and drought. It analyzes these images in relation to contemporaneous understandings of aesthetics and in dialogue with recent understandings of the global climate crisis. The volume probes the co-constitution of industry and photography in postcolonial India by looking at selected sites of industrial and artistic practices and their interwoven histories. Part of the Visual Media and Histories Series, this book will be of interest to students and researchers of the history of photography, visual media studies, Indian history, art history, cultural studies, and South Asian studies.
700 1 _aRebecca M. Brown
_4B01
999 _c8257
_d8257