000 | 01829 a2200289 4500 | ||
---|---|---|---|
001 | 1032926570 | ||
005 | 20250328151422.0 | ||
008 | 250324042024GB eng | ||
020 |
_a9781032926575 _qBC |
||
037 |
_bTaylor & Francis _cGBP 39.99 _fBB |
||
040 | _a01 | ||
041 | _aeng | ||
072 | 7 |
_aDSB _2thema |
|
072 | 7 |
_aNHTB _2thema |
|
072 | 7 |
_aQRAM1 _2thema |
|
072 | 7 |
_aDSBD _2bic |
|
072 | 7 |
_aHBTB _2bic |
|
072 | 7 |
_aHRAM1 _2bic |
|
072 | 7 |
_aLIT000000 _2bisac |
|
072 | 7 |
_a823.509353 _2bisac |
|
100 | 1 | _aCarol Stewart | |
245 | 1 | 0 | _aEighteenth-Century Novel and the Secularization of Ethics |
250 | _a1 | ||
260 |
_aOxford _bRoutledge _c20241014 |
||
300 | _a228 p | ||
520 | _bLinking the decline in Church authority in the late seventeenth and early eighteenth centuries with the increasing respectability of fiction, Carol Stewart provides a new perspective on the rise of the novel. The resulting readings of novels by authors such as Samuel Richardson, Sarah Fielding, Frances Sheridan, Charlotte Lennox, Tobias Smollett, Laurence Sterne, William Godwin, and Jane Austen trace the translation of ethical debate into secular and gendered terms. Stewart argues that the seventeenth-century debate about ethics that divided Latitudinarians and Calvinists found its way into novels of the eighteenth century. Her book explores the growing belief that novels could do the work of moral reform more effectively than the Anglican Church, with attention to related developments, including the promulgation of Anglican ethics in novels as a response to challenges to Anglican practice and authority. An increasingly legitimate genre, she argues, offered a forum both for investigating the situation of women and challenging patriarchal authority, and for challenging the dominant political ideology. | ||
999 |
_c8286 _d8286 |