Found Footage Horror Films (Record no. 1116)

MARC details
000 -LEADER
fixed length control field 01991 a2200373 4500
001 - CONTROL NUMBER
control field 0367661845
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100400.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042020GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367661847
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 40.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code JBCT
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Subject category code JMR
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072 7# - SUBJECT CATEGORY CODE
Subject category code JMQ
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Subject category code QDTN
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Subject category code ATFA
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072 7# - SUBJECT CATEGORY CODE
Subject category code JFD
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072 7# - SUBJECT CATEGORY CODE
Subject category code JMR
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Subject category code JMQ
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Subject category code HPN
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Subject category code APFA
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Subject category code PER004030
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Subject category code PER004010
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Subject category code PER004000
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Subject category code SOC052000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 791.436164
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Peter Turner
245 10 - TITLE STATEMENT
Title Found Footage Horror Films
Remainder of title A Cognitive Approach
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20200930
300 ## - PHYSICAL DESCRIPTION
Extent 190 p
520 ## - SUMMARY, ETC.
Expansion of summary note This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognition of viewers. It further examines the way in which mediated realism is constructed in the films in order to attempt to make audiences either (mis)read the footage as non-fiction, or more commonly to imagine that the footage is non-fiction. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie , Noroi: The Curse , Autohead and Zero Day This book will be of key interest to Film Studies scholars with research interests in horror and genre studies, cognitive studies of the moving image, and those with interests in narration, realism and mimesis. It is an essential read for students undertaking courses with a focus on film theory, particularly those interested specifically in horror films and cognitive film theory.

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