Found Footage Horror Films (Record no. 1116)
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000 -LEADER | |
---|---|
fixed length control field | 01991 a2200373 4500 |
001 - CONTROL NUMBER | |
control field | 0367661845 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250317100400.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250312042020GB eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780367661847 |
037 ## - SOURCE OF ACQUISITION | |
Source of stock number/acquisition | Taylor & Francis |
Terms of availability | GBP 40.99 |
Form of issue | BB |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | 01 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JBCT |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JMR |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JMQ |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | QDTN |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | ATFA |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JFD |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JMR |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JMQ |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | HPN |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | APFA |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | PER004030 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | PER004010 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | PER004000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | SOC052000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 791.436164 |
Source | bisac |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Peter Turner |
245 10 - TITLE STATEMENT | |
Title | Found Footage Horror Films |
Remainder of title | A Cognitive Approach |
250 ## - EDITION STATEMENT | |
Edition statement | 1 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Oxford |
Name of publisher, distributor, etc. | Routledge |
Date of publication, distribution, etc. | 20200930 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 190 p |
520 ## - SUMMARY, ETC. | |
Expansion of summary note | This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognition of viewers. It further examines the way in which mediated realism is constructed in the films in order to attempt to make audiences either (mis)read the footage as non-fiction, or more commonly to imagine that the footage is non-fiction. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie , Noroi: The Curse , Autohead and Zero Day This book will be of key interest to Film Studies scholars with research interests in horror and genre studies, cognitive studies of the moving image, and those with interests in narration, realism and mimesis. It is an essential read for students undertaking courses with a focus on film theory, particularly those interested specifically in horror films and cognitive film theory. |
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