Heavy Metal at the Movies (Record no. 1352)

MARC details
000 -LEADER
fixed length control field 01444 a2200361 4500
001 - CONTROL NUMBER
control field 0367662388
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100402.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042020GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367662387
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLP
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Subject category code AVA
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Subject category code NH
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Subject category code JBCT
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Subject category code 6PB
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Subject category code 6RF
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Subject category code AVGP
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Subject category code AVA
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Subject category code H
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Subject category code JFD
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Subject category code MUS000000
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Subject category code MUS019000
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Subject category code PER004000
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Subject category code 791.436578
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Gerd Bayer
245 10 - TITLE STATEMENT
Title Heavy Metal at the Movies
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20200930
300 ## - PHYSICAL DESCRIPTION
Extent 216 p
520 ## - SUMMARY, ETC.
Expansion of summary note The chapters collected in this volume shed light on the areas of interaction between film studies and heavy metal research, exploring how the audio-visual medium of film relates to, builds on and shapes metal culture. At one end of the spectrum, metal music serves as a form of ambient background in horror films that creates an intense and somewhat threatening atmosphere; at the other end, the high level of performativity attached to the metal spectacle is emphasized. Alongside these tendencies, the recent and ongoing wave of metal documentaries has taken off, relying on either satire or hagiography.

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