Manufacturing the Modern Patron in Victorian California (Record no. 1849)

MARC details
000 -LEADER
fixed length control field 02163 a2200277 4500
001 - CONTROL NUMBER
control field 1138274771
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100407.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138274778
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 56.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AGA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 3MN
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ACV
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ART015120
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 707.9794
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name John Ott
245 10 - TITLE STATEMENT
Title Manufacturing the Modern Patron in Victorian California
Remainder of title Cultural Philanthropy, Industrial Capital, and Social Authority
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20161026
300 ## - PHYSICAL DESCRIPTION
Extent 332 p
520 ## - SUMMARY, ETC.
Expansion of summary note Through the example of Central Pacific Railroad executives, Manufacturing the Modern Patron in Victorian California redirects attention from the usual art historical protagonists - artistic producers - and rewrites narratives of American art from the unfamiliar vantage of patrons and collectors. Neither denouncing, nor lionizing, nor dismissing its subjects, it demonstrates the benefits of taking art consumers seriously as active contributors to the cultural meanings of artwork. It explores the critical role of art patronage in the articulation of a new and distinctly modern elite class identity for newly ascendant corporate executives and financiers. These economic elites also sought to legitimate trends in industrial capitalism, such as mechanization, incorporation, and proletarianization, through their consumption of a diverse array of elite culture, including regional landscapes, panoramic and stop-motion photography, history paintings of the California Gold Rush, the architecture of Stanford University, and the design of domestic galleries. This book addresses not only readers in the art history and visual and material cultures of the United States, but also scholars of patronage studies, American Studies, and the sociology of culture. It tells a story still relevant to this new Gilded Age of the early 21st century, in which wealthy collectors dramatically shape contemporary art markets and institutions.

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