Atheist Milton (Record no. 196)

MARC details
000 -LEADER
fixed length control field 01932 a2200301 4500
001 - CONTROL NUMBER
control field 113824712X
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100351.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138247123
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 56.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code DSB
Source thema
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Subject category code QRA
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code 1DDU
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code DSBD
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code HRA
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code 1DBK
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT014000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code LIT000000
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072 7# - SUBJECT CATEGORY CODE
Subject category code 821.4
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Michael E. Bryson
245 10 - TITLE STATEMENT
Title Atheist Milton
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160826
300 ## - PHYSICAL DESCRIPTION
Extent 190 p
520 ## - SUMMARY, ETC.
Expansion of summary note Basing his contention on two different lines of argument, Michael Bryson posits that John Milton-possibly the most famous 'Christian' poet in English literary history-was, in fact, an atheist. First, based on his association with Arian ideas (denial of the doctrine of the Trinity), his argument for the de Deo theory of creation (which puts him in line with the materialism of Spinoza and Hobbes), and his Mortalist argument that the human soul dies with the human body, Bryson argues that Milton was an atheist by the commonly used definitions of the period. And second, as the poet who takes a reader from the presence of an imperious, monarchical God in Paradise Lost, to the internal-almost Gnostic-conception of God in Paradise Regained, to the absence of any God whatsoever in Samson Agonistes, Milton moves from a theist (with God) to something much more recognizable as a modern atheist position (without God) in his poetry. Among the author's goals in The Atheist Milton is to account for tensions over the idea of God which, in Bryson's view, go all the way back to Milton's earliest poetry. In this study, he argues such tensions are central to Milton's poetry-and to any attempt to understand that poetry on its own terms.

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