Perception And Cognition Of Music (Record no. 2255)
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000 -LEADER | |
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fixed length control field | 01791 a2200265 4500 |
001 - CONTROL NUMBER | |
control field | 1138877093 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250317100410.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250312042015GB eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781138877092 |
037 ## - SOURCE OF ACQUISITION | |
Source of stock number/acquisition | Taylor & Francis |
Terms of availability | GBP 53.99 |
Form of issue | BB |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | 01 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JMR |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | JMR |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | PSY000000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | PSY008000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 781.1 |
Source | bisac |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Irene Deliege |
245 10 - TITLE STATEMENT | |
Title | Perception And Cognition Of Music |
250 ## - EDITION STATEMENT | |
Edition statement | 1 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Oxford |
Name of publisher, distributor, etc. | Psychology Press |
Date of publication, distribution, etc. | 20150522 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 480 p |
520 ## - SUMMARY, ETC. | |
Expansion of summary note | This text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at the Third International Conference on Music Perception and Cognition Liege 1994 to illustrate the wide range of perspectives now being adopted in studying how humans make and respond to music. The book is divided ino five sections. The first part illustrates the role of analysis and ethnomusicology in understanding cultural determinants of musical behaviour. The second part charts what is known about aquisition of musical competence, from pre-birth through to the expert performer. The evidence accumulated about specific areas of the brain which control musical thinking and behaviour is examined in Part Three. The fourth part examines how neurological, behavioural and artificial intelligence approaches are converging to shed light on processes in auditory perception. Finally, Part Five highlights the important developments in how we conceptualize the way in which musical structures are represented in the mind. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | John A. Sloboda |
Relationship | B01 |
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