Perspectives on Degas (Record no. 2268)

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001 - CONTROL NUMBER
control field 1138316148
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100410.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042018GB 116 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138316140
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 46.99
Form of issue BB
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Language code of text/sound track or separate title eng
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Kathryn Brown
245 10 - TITLE STATEMENT
Title Perspectives on Degas
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20180823
300 ## - PHYSICAL DESCRIPTION
Extent 304 p
520 ## - SUMMARY, ETC.
Expansion of summary note The first comprehensive assessment of Degas's legacy to be published in over two decades, Perspectives on Degas unites a team of international scholars to analyze Degas's work, artistic practice, and unique methods of pictorial problem-solving. Established scholars and curators show how recent trends in art historical thinking can stimulate innovative interpretations of Degas's paintings, prints, sculptures, and drawings and reveal new ideas about his place in the art historical narrative of the nineteenth-century avant-garde. Questions posed by contributors include: what interpretive approaches are open to a new generation of art historians in the wake of a vast body of existing scholarship on nineteenth-century art? In what ways can feminist analyses of Degas's works continue to yield new results? Which of Degas's works have received less attention in critical literature to date and what does study of them reveal? As the centenary of Degas's death approaches, this book offers a timely re-evaluation of the critical literature that has developed in response to Degas's work and identifies ways in which the further study of this artist's multi-facetted output can deepen our understanding of the wider scientific, literary, and artistic ideas that circulated in France during the latter decades of the nineteenth century.

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