Reading the Reverse Façade of Reims Cathedral (Record no. 2535)

MARC details
000 -LEADER
fixed length control field 01903 a2200241 4500
001 - CONTROL NUMBER
control field 1138108901
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100413.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042017GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138108905
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 52.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code AB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ART026000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 730.944322
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Donna L. Sadler
245 10 - TITLE STATEMENT
Title Reading the Reverse Façade of Reims Cathedral
Remainder of title Royalty and Ritual in Thirteenth-Century France
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20170913
300 ## - PHYSICAL DESCRIPTION
Extent 300 p
520 ## - SUMMARY, ETC.
Expansion of summary note Though long recognized as one of the most beautiful works from the second half of the thirteenth century, the magnificent sculptural program of the reverse façade at Reims Cathedral has received little in the way of scholarly attention. Interpreting the iconography in the light of Latin texts associated with the building, its history and its ceremonial use, Donna Sadler assesses the significance of the reverse façade in light of other thirteenth-century visual programs associated with the court of Louis IX. The book's chapters deal with the history of the cathedral and its architectural antecedents; the iconographic message of the visual program, the meaning of the reverse façade and how it intersects with the overall iconography; the function of the verso and how it is enhanced by the marriage of form and content; and a consideration of contemporary works linked to the court of Saint Louis, concluding with a brief look at the new roles sculpture assumes as it migrates inside cathedrals. Ultimately this book reveals how the imagery on the reverse façade not only conforms to a system of memory and mode of medieval narratology, but also articulates a dominant ideological position regarding the interdependence of ecclesiastical and royal powers.

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