Reading the Reverse Façade of Reims Cathedral (Record no. 2535)
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000 -LEADER | |
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fixed length control field | 01903 a2200241 4500 |
001 - CONTROL NUMBER | |
control field | 1138108901 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250317100413.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250312042017GB eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781138108905 |
037 ## - SOURCE OF ACQUISITION | |
Source of stock number/acquisition | Taylor & Francis |
Terms of availability | GBP 52.99 |
Form of issue | BB |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | 01 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | AB |
Source | thema |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | AB |
Source | bic |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | ART026000 |
Source | bisac |
072 7# - SUBJECT CATEGORY CODE | |
Subject category code | 730.944322 |
Source | bisac |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Donna L. Sadler |
245 10 - TITLE STATEMENT | |
Title | Reading the Reverse Façade of Reims Cathedral |
Remainder of title | Royalty and Ritual in Thirteenth-Century France |
250 ## - EDITION STATEMENT | |
Edition statement | 1 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Oxford |
Name of publisher, distributor, etc. | Routledge |
Date of publication, distribution, etc. | 20170913 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 300 p |
520 ## - SUMMARY, ETC. | |
Expansion of summary note | Though long recognized as one of the most beautiful works from the second half of the thirteenth century, the magnificent sculptural program of the reverse façade at Reims Cathedral has received little in the way of scholarly attention. Interpreting the iconography in the light of Latin texts associated with the building, its history and its ceremonial use, Donna Sadler assesses the significance of the reverse façade in light of other thirteenth-century visual programs associated with the court of Louis IX. The book's chapters deal with the history of the cathedral and its architectural antecedents; the iconographic message of the visual program, the meaning of the reverse façade and how it intersects with the overall iconography; the function of the verso and how it is enhanced by the marriage of form and content; and a consideration of contemporary works linked to the court of Saint Louis, concluding with a brief look at the new roles sculpture assumes as it migrates inside cathedrals. Ultimately this book reveals how the imagery on the reverse façade not only conforms to a system of memory and mode of medieval narratology, but also articulates a dominant ideological position regarding the interdependence of ecclesiastical and royal powers. |
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