Renaissance Hybrids (Record no. 2605)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02222 a2200325 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1138253103 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250317100413.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250312042016GB eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138253100 |
| 037 ## - SOURCE OF ACQUISITION | |
| Source of stock number/acquisition | Taylor & Francis |
| Terms of availability | GBP 52.99 |
| Form of issue | BB |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | 01 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | DSB |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | NHAH |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | DDA |
| Source | thema |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 1DDU |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | DSBD |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | HBAH |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | DDS |
| Source | bic |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 1DBK |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | LIT019000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | LIT000000 |
| Source | bisac |
| 072 7# - SUBJECT CATEGORY CODE | |
| Subject category code | 820.9355 |
| Source | bisac |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gary A. Schmidt |
| 245 10 - TITLE STATEMENT | |
| Title | Renaissance Hybrids |
| Remainder of title | Culture and Genre in Early Modern England |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Oxford |
| Name of publisher, distributor, etc. | Routledge |
| Date of publication, distribution, etc. | 20160909 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 254 p |
| 520 ## - SUMMARY, ETC. | |
| Expansion of summary note | In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Gary Schmidt examines how sixteenth- and seventeenth-century English authors, artists, explorers and statesmen exercised a concerted effort to frame questions of cultural and artistic heterogeneity. This book is unique in its exploration of how 'hybrid' literary genres emerge at particular historical moments as vehicles for negotiating other kinds of hybridity, including but not limited to cultural and political hybridity. In particular, Schmidt addresses three distinct manifestations of 'hybridity' in English literature and iconography during this period. The first category comprises literal hybrid creatures such as satyrs, centaurs, giants, and changelings; the second is cultural hybrids reflecting the mixed status of the nation; and the third is generic hybrids such as the Shakespearean 'problem play,' the volatile verse satires of Nashe, Hall and Marston, and the tragicomedies of Beaumont and Fletcher. In Renaissance Hybrids, Schmidt demonstrates 'postmodern' considerations not to be unique to our own critical milieu. Rather, they can fruitfully elucidate cultural and literary developments in the English Renaissance, forging a valuable link in the history of ideas and practices, and revealing a new dimension in the relation of early modern studies to the concerns of the present. |
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