Routledge Handbook to Music under German Occupation, 1938-1945 (Record no. 2757)

MARC details
000 -LEADER
fixed length control field 02293 a2200337 4500
001 - CONTROL NUMBER
control field 1032082658
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100415.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042021GB 95 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781032082653
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 43.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code AVLA
Source thema
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Subject category code NHTB
Source thema
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Subject category code 3MP
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 3M
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code AVGC6
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code HBTB
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code 3J
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code HIS014000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code MUS000000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code POL038000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 780.9436
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name David Fanning
245 10 - TITLE STATEMENT
Title Routledge Handbook to Music under German Occupation, 1938-1945
Remainder of title Propaganda, Myth and Reality
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20210802
300 ## - PHYSICAL DESCRIPTION
Extent 572 p
520 ## - SUMMARY, ETC.
Expansion of summary note Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Erik Levi
Relationship B01

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