Routledge Revivals: Patriotism: The Making and Unmaking of British National Identity (1989) (Record no. 2773)

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001 - CONTROL NUMBER
control field 113821244X
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317100415.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042018GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781138212442
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 37.99
Form of issue BB
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Original cataloging agency 01
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Language code of text/sound track or separate title eng
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Raphael Samuel
245 10 - TITLE STATEMENT
Title Routledge Revivals: Patriotism: The Making and Unmaking of British National Identity (1989)
Remainder of title Volume III: National Fictions
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20180413
300 ## - PHYSICAL DESCRIPTION
Extent 298 p
520 ## - SUMMARY, ETC.
Expansion of summary note First published in 1989, this is the third of three volumes exploring the changing notions of patriotism in British life from the thirteenth century to the late twentieth century and constitutes an attempt to come to terms with the power of the national idea through a historically informed critique. This volume studies some of the leading figures of national myth, such as Britannia and John Bull. One group of essays looks at the idea of distinctively national landscape and the ways in which it corresponds to notions of social order. A chapter on the poetry of Edmund Spenser explores metaphorical representations of Britain as a walled garden, and the idea of an enchanted national space is taken up in a series of essays on literature, theatre and cinema. An introductory piece charts some of the startling changes in the image of national character, from the seventeenth-century notion of the English as the most melancholy people in Europe, to the more uncertain and conflicting images of today.

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